As long and extensive as Johanna Sibylla Küsel-Kraus's line of ancestors was, as diverse were the artistic influences that were received, transformed and passed on over generations. The term "Augsburg - picture factory of Europe", to borrow a phrasing launched by John Roger Paas, has intensified the focus on the Augsburg engravers and publishers, emphasising their outstanding efficiency, but at the same time also helping to recognise Augsburg as a centre where influences from different regions of Europe flowed together, were processed and spread again from there. At the end of the sixteenth and in the first decades of the seventeeth century, Dominicus Custos and his descendants brought in particular Dutch and Italian models into the imperial city's printmaking production. After the end of the Thirty Years' War in 1648, French models increasingly found their way into Augsburg printmaking. As Flora Herbert recently pointed out in her PhD, this cultural transfer between France and Germany, particularly between printmakers in Paris and Augsburg, was largely initiated and supported by Melchior Küsel and the Küsel-Kraus workshop.
Compiler: Jörg Diefenbacher
Editor: Eckhard Leuschner
For more information see: https://www.hollstein.com/running-research-projects/johanna-sibylla-ksel-kraus.html